These projects operate at the intersection of art and political violence. Grounded in a commitment to human rights and social justice, Walls of Hope serves communities that often include survivors of massacres and torture, individuals forced into exile, asylum seekers, Indigenous peoples, Pueblos Originarios, and incarcerated youth in the United States.

Claudia Bernardi and young artists from the School of Art in Perquin/Walls of Hope, 2005. Photo credit: Valeria Galliso.
Participants of the Yurok Tribe in Klamath, California, with the completed mural “A Bleeding Moon”.
Participants of these collaborative art projects are encouraged and trained to replicate and lead similar workshops in their communities, extending and expanding Walls of Hope’s vision to youth, adolescents, adults and the elderly. A key indicator of Walls of Hope’s success, the Perquin Model has been replicated for communities all over the world, turning creativity into advocacy for diplomacy, justice and the protection of human and social rights.

Each project provides community members with the opportunity to share their histories, emotions and experiences while engaging in the transformative process in which invisible wounds may turn into tangible works of art.

From Left to right, America Argentina Vaquerano Romero, Claudia Bernardi, Rosa del Carmen Argueta and Claudia Verenice Flores Escolero. Monthey, Switzerland, 2013. Photo credit: Florencia Roulet.

“Creativity, the presenters agreed, was a fundamental contributor to any enduring peace process.”

—Claudia Bernardi, Art Against Brutality